Die Säulen der Erde

Die Säulen der
Erde

reviewed by Moritz Eggert

“Säulen der Erde” is based on Ken Follett’s book “The Pillars of the
Earth” and is yet another Kosmos game based on a literary licence. Some of you may yawn at
this thought, even if you liked Knizia’s “Lord of the Rings”, but the biggest
surprise here is that this is a true gamers’ game. What could have been an average family game
for the mass market has been transformed, by the excellent work of the Kosmos team, into a true
gamers’ game, something that astonishes when looks at the very few successful book/film tie-ins
that are out there (and especially Kosmos’ speckled history in that respect, even though
“The Little Prince” and “Sophie’s World” aren’t necessarily bad games,
they are just uninteresting for gamers).

Players represent clans of cathedral builders who work over decades, or rather six rounds
lasting roughly 90 minutes, to build a cathedral. I think gamers got the better deal compared to
the guys in the book which took I think a century to finish the darned thing!

Summary
Explaining the rules: 15 minutes (some concepts need to be repeated to your group to make sure they understand
them)
brain activity: required
rich game material to gawk at and play with while you wait: existent (the cathedral!)
beautiful board to explore with your eyes: existent
Meeple-men to line up before you: some
resource cubes: plenty
downtime: practically none
Religious feelings hurt: yes, if you think the idea of building a cathedral for VP’s instead for god is
detestable
single black worker meeple that will result in cries of racism on Boardgamegeek
and incite endless discussions:
it’s there, folks, but you know – it only happens to be black. It’s not a black person,
ok? The colour is just a symbol. It’s a white person working at the cathedral that you can hire
as an extra worker. This meeple is not exploited, whipped or hurt. It is a happy meeple. We love
this meeple. Peace!

First comes a selection phase in which players either hire new craftsmen with new abilities or
send their workers of to the woods, the quarry or the sand mine, and – if the workers are really
nice – to the wool factory where they actually can earn money.

Then a very interesting phase happens – one by one the three master craftsmen of each player is
drawn out of a bag, and are placed at different “activity” spaces which follow a certain
predetermined order. The first player to place a pawn has to pay 8 gold or he can pass, the second
player has to pay 7 gold to select an action or pass and so on. Passing is cheap, but then space at
the activity spaces is of course limited, and if you really desperately need to do an action you
will be hard-pressed to spend money for it.

Then the different activity spaces are dealt with in order. There are event cards which affect
all players except the ones who have occupied a certain space, there are advantage cards which give
more special favours, there are also more increasingly powerful craftsmen and there is also a
market and a tax phase. After this players change resources into victory points, which depends very
much on the quality of the craftsmen they have.

The game mostly avoids a close representation of the book, which is limited to some flair text
on the cards (and there is very little flair text), but what is there is correct and faithful.

By the way – there is some German texts on the cards, but it is not much, and all the cards are
open and not secret, so using a cheat sheet from the geek is easy, and in fact I’ve just seen
that somebody has done a translation already.

This is simply a very delightful and challenging game, with more than a passing resemblance to
Caylus but with some aspects that make the game actually more accessible and even more forgiving.
The different phases work very beautifully together, there is no downtime as all phases are
interactive and the game also doesn’t overstay it’s welcome but is engrossing up to the
end. The fancy turn counter (the cathedral IS the turn-counter, in case you wondered) made Richard
Borg laugh so hard that he nearly fell out of the chair when watching our game. And it was a hearty
laugh if there ever was one!

But seriously – if you like involved but not too heavy games with lots of beautiful bits and
pieces you should clearly consider purchasing this wonderful game. It was one of the very rare
cases that a German company produced game was actually completely sold out at Essen, even though it
was available in great numbers initially.

Very recommended!